ANTIQUE PRINTS OF MARK LANE AT
ASH RARE BOOKS
43 HURON ROAD
LONDON SW17 8RE
UNITED KINGDOM

[London : 1860]. A pleasant small antique print of the nineteenth-century Corn Exchange on Mark Lane. Originally produced for the publisher John Tallis’s “London Street Views” (1838 on) and reissued with Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Engraved surface 74 x 108mm (approx. 3” x 4-1/4”). In very good and clean state. A guaranteed genuine antique print. Adams 186/012.

£20

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[London : Leadenhall Press, 1891]. An antique print – a vignetted view of Mark Lane and the old Corn Exchange. From an original design by the painter and illustrator William Luker and engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 156 x 100mm (approx. 6-1/8” x 3-7/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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[London : Leadenhall Press, 1891]. An antique print – a vignetted view of Mincing Lane – clusters of top-hatted brokers mingle with local traffic. From an original design by the painter and illustrator William Luker and engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 172 x 111mm (approx. 6-3/4” x 4-3/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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[London : John Tallis & Co., 1852]. A pleasant small antique print of Mark Lane and the 1828 Corn Exchange. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847) – and here in a slightly later impression dating from 1852.
Steel line engraving on paper. Engraved surface 67 x 86mm (approx. 2-5/8” x 3-3/8”). Two very mild indentations, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 207/004A.

£20

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London : H. Setchel & Son, 1810. A handsome antique print – the exterior of the old church of All Hallows Staining on Mark Lane, only the tower of which now survives. Engraved by W. Preston from an original drawing (now in the Guildhall Library) by William Pearson (fl.1798-1813). Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 206 x 202mm (approx. 8-1/8” x 8”). A few tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 161/010.

£75

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[London : Jones & Co., 1831]. An attractive small antique print of the old church, the fifteenth-century tower of which survived the demolition of the rest of the church in 1870. Engraved by James Baylis Allen (1803-1876) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of ninetenth-century London. From Shepherd’s series “London and its Environs in the Nineteenth Century” (1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 111 x 71mm (approx. 4-1/2” x 2-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 161/107.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 40954 – or simply click on the button

[London : Jones & Co., 1831]. An attractive small antique print of the old church, the fifteenth-century tower of which survived the demolition of the rest of the church in 1870. Engraved by James Baylis Allen (1803-1876) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of ninetenth-century London. From Shepherd’s series “London and its Environs in the Nineteenth Century” (1829-1832).
Steel line engraving on paper. Engraved surface 111 x 71mm (approx. 4-1/2” x 2-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 161/107.

£20

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[London : Jones & Co., 1830]. A handsome antique print – the elegant courtyard of the early nineteenth-century Clothworkers’ Hall being swept with broom and bucket. Engraved by William Wallis (b.1796 fl.1816-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s part-work series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Engraved surface 106 x 148mm (approx. 4-1/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 161/052.

£25

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London : Jones & Co., 1828. A charming antique print of Mark Lane and the recently completed Corn Exchange – a horse-drawn wagon laden with sacks pauses outside. Engraved by Josiah Henshall (1801?-1869) from an original study by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 108 x 151mm (approx. 4-1/4” x 6”). In very good and clean state. A guaranteed genuine antique print.

£30

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London : Jones & Co., 1828. A charming antique print of Mark Lane and the recently completed Corn Exchange – a horse-drawn wagon laden with sacks pauses outside. Engraved by Josiah Henshall (1801?-1869) from an original study by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 108 x 151mm (approx. 4-1/4” x 6”). In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 29597 – or simply click on the button

[London : John Harris, 1812]. A pleasant small antique print – the Hall built in the seventeenth century after the Great Fire. Engraved by William Angus (1752-1821) from an original study by an artist identified only as Wilson – and originally produced for the part-work “Beauties of England and Wales” (1801-1816).
Copper line engraving on paper. Engraved surface 77 x 97mm (approx. 3” x 3-7/8”). Trimmed close at foot, but in very good and clean state. A guaranteed genuine antique print. Adams 104/015A.

£20

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