ANTIQUE PRINTS OF FRANCE AT
ASH RARE BOOKS
43 HURON ROAD
LONDON SW17 8RE
UNITED KINGDOM

London : Fisher, Son & Co., [1847]. A fine antique print of the cathedral – Parisians at prayer in the vaulted interior. Engraved by John Henry le Keux (1812-1896) from an original study by the well-known Thomas Allom. Originally produced for the part-work series “France Illustrated” (London : 1845-1847).
Steel line engraving on paper. Engraved surface 142 x 189mm (approx. 5-5/8” x 7-3/8”). A few faint marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 34522 – or simply click on the button

London : Fisher, Son & Co., [1847]. A fine antique print of the cathedral – the principal front with its magnificent sixteenth-century pinnacled towers – labourers lever blocks of stone in the foreground. Engraved by William Holmes Capone (1810-1881) from an original study by the well-known Thomas Allom. Originally produced for the part-work series “France Illustrated” (London : 1845-1847).
Steel line engraving on paper. Later hand colour. Engraved surface 202 x 138mm (approx. 8” x 5-3/8”). In very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 15937 – or simply click on the button

[London : George Virtue, 1834]. An attractive antique print – the ancient bridge over the Arve in the secluded valley. Engraved by Robert Wallis (1794-1878) from an original study by the much-travelled William Henry Bartlett. Originally produced for the part-work series “Switzerland Illustrated” (London : 1834-1836).
Steel line engraving on paper. Later hand colour. Engraved surface 132 x 173mm (approx. 5-1/4” x 6-3/4”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 34511 – or simply click on the button

London : Charles Tilt, 1836. A fine antique print of the gothic masterpiece of Amiens cathedral – a hay-wagon passes in the foreground. Engraved by Benjamin Winkles (1805-1856) from an original study by Hablot Knight Browne – better known as “Phiz”, the illustrator of Dickens. Originally produced for Winkles’ part-work “French Cathedrals” series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 135 x 163mm (approx. 5-3/8” x 6-1/2”). Just a hint of dustiness to lower margin, but overall in very good state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 15928 – or simply click on the button

London : Charles Tilt, 1836. A fine antique print of the gothic cathedral – a view from the fields – a funeral procession in progress – sheep in the foreground. Engraved by Benjamin Winkles (1805-1856) from a sketch by Robert Garland, worked up for publication by Hablot Knight Browne – better known as “Phiz”, the illustrator of Dickens. Originally produced for Winkles’ part-work “French Cathedrals” series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 142 x 169mm (approx. 5-5/8” x 6-5/8”). In very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 15929 – or simply click on the button

London : Charles Tilt, 1836. A handsome antique print of the great gothic cathedral – the south transept with its rose window. Engraved by Benjamin Winkles (1805-1856) from an original study by the architect and draughtsman Robert Garland. Originally produced for Winkles’ part-work “French Cathedrals” series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 187 x 113mm (approx. 7-3/8” x 4-1/2”). In very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 15932 – or simply click on the button

London : Charles Tilt, 1836. A pleasant antique print of the cathedral – the great west front with its varaint spires. Engraved by Benjamin Winkles (1805-1856) from an original study by the architect and draughtsman Robert Garland. Originally produced for Winkles’ part-work “French Cathedrals” series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 188 x 111mm (approx. 7-3/8” x 4-3/8”). Tiny stab-mark at foot, a couple of minor marks to lower margin, but overall in very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 15934 – or simply click on the button

London : Charles Tilt, 1836. A handsome antique print of Evreux cathedral – visitors admire the tracery and pinnacles. Engraved by Benjamin Winkles (1805-1856) from an original study by the architect and draughtsman Robert Garland. Originally produced for Winkles’ part-work “French Cathedrals” series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 145 x 165mm (approx. 5-3/4” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 15935 – or simply click on the button

London : Charles Tilt, 1836. A fine antique print of the gothic cathedral – a view looking up to the towers. Engraved by Benjamin Winkles (1805-1856) from a study by the architect and draughtsman Robert Garland. Originally produced for Winkles’ partwork "French Cathedrals" series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 185 x 115mm (approx. 7-1/4” x 4-1/2”). A couple of tiny spots to blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 15931 – or simply click on the button

London : Charles Tilt, 1836. An attractive antique print of the cathedral – a view up to the Tour de Beurre from the courtyard. Engraved by Benjamin Winkles (1805-1856) from an original study by the architect and draughtsman Robert Garland. Originally produced for Winkles’ part-work “French Cathedrals” series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 182 x 113mm (approx. 7-1/8” x 4-1/2”). One small wrinkle but overall in very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 15933 – or simply click on the button

[London : Jennings & Chaplin, 1831]. A handsome antique print – the imposing Barriere de Passy – a view from the river. Engraved by William Watkins (1807-1891) from an original study by the young Joseph Nash. Originally produced for Augustus Pugin’s part-work “Paris and its Environs” (London : 1829-1831).
Steel line engraving on paper. Later hand colour. Engraved surface 92 x 141mm (approx. 3-5/8” x 5-1/2”). Tiny mark to right-hand blank margin, but overall in very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 34517 – or simply click on the button

[London : Jennings & Chaplin, 1831]. A charming antique print – the courtyard of the royal chateau at Fontainebleau. Engraved by Benjamin Winkles (1805-1856) from an original study by the young Joseph Nash. Originally produced for Augustus Pugin’s part-work “Paris and its Environs” (London : 1829-1831).
Steel line engraving on paper. Later hand colour. Engraved surface 92 x 141mm (approx. 3-5/8” x 5-5/8”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 34516 – or simply click on the button

[London : Jennings & Chaplin, 1831]. A pleasant antique print – the wooden bridge on stone arches crossing the Seine at Choisy-le-Roi on the road to Versailles. Engraved by Fenner, Sears & Co. from an original study by the young Joseph Nash. Originally produced for Augustus Pugin’s part-work “Paris and its Environs” (London : 1829-1831).
Steel line engraving on paper. Later hand colour. Engraved surface 98 x 141mm (approx. 3-7/8” x 5-5/8”). In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 34515 – or simply click on the button

[London : Smith, Elder & Co., 1836]. An attractive antique print – a view of St. Malo from the road. Engraved by Robert Brandard (1805-1862) from an original study by the fine marine painter Clarkson Stanfield R.A. Originally produced for Stanfield’s “Coast Scenery. A Series of Views in the British Channel” (1836).
Steel line engraving on paper. Engraved surface 103 x 139mm (approx. 4” x 5-1/2”). In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 44336 – or simply click on the button

[London : Smith, Elder & Co., 1836]. A pleasant antique print – a view of nineteenth-century Boulogne from the sea. Engraved by William Floyd (1807-1882) from an original study by the fine marine painter Clarkson Stanfield R.A. Originally produced for Stanfield’s “Coast Scenery. A Series of Views in the British Channel” (London : 1836).
Steel line engraving on paper. Engraved surface 106 x 141mm (approx. 4-1/8” x 5-1/2”). A couple of tiny specks, but otherwise in very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 40414 – or simply click on the button

London : Longman & Co., [1836]. An attractive antique print – the old heart of the town, buildings clustered by the Orne. Engraved by Robert Brandard (1805-1862) from an original study by the well-known Clarkson Stanfield R.A. Originally produced for “Heath’s Picturesque Annual” in 1834, the present impression was produced for “Heath’s Gallery of British Engravings” in 1836.
Steel line engraving on paper. Later hand colour. Engraved surface 110 x 135mm (approx. 4-3/8” x 5-3/8”). In very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 34513 – or simply click on the button

London : Longman & Co., [1836]. An attractive antique print – Dieppe from the sea – small craft in choppy seas in the foreground. Engraved by William Miller (1796-1882) from an original study by the well-known Clarkson Stanfield R.A. Originally produced for "Heath’s Picturesque Annual" in 1834, the present impression was produced for "Heath’s Gallery of British Engravings" in 1836.
Steel line engraving on paper. Later hand colour. Engraved surface 115 x 145mm (approx. 4-1/2” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 34509 – or simply click on the button

[London : Smith, Elder & Co., 1836]. An attractive antique print – Dieppe from the shore below. Engraved by William Bernard Cooke (1778-1855) from an original study by the fine marine painter Clarkson Stanfield R.A. Originally produced for Stanfield’s “Coast Scenery. A Series of Views in the British Channel” (London : 1836).
Steel line engraving on paper. Engraved surface 106 x 141mm (approx. 4-1/8” x 5-1/2”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 40456 – or simply click on the button

[London : Smith, Elder & Co., 1836]. An attractive antique print – a view of St. Malo from the quay. Engraved by James Charles Armytage (1802-1897) from an original study by the fine marine painter Clarkson Stanfield R.A. Originally produced for Stanfield’s “Coast Scenery. A Series of Views in the British Channel” (London : 1836).
Steel line engraving on paper. Engraved surface 103 x 143mm (approx. 4” x 5-5/8”). In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 40433 – or simply click on the button

[London : Smith, Elder & Co., 1836]. A pleasant antique print – the tidal island of Mont Saint-Michel – a view from the sea. Engraved by Alfred Robert Freebairn (1794-1846) from an original study by the fine marine painter Clarkson Stanfield R.A. Originally produced for Stanfield’s “Coast Scenery. A Series of Views in the British Channel” (London : 1836).
Steel line engraving on paper. Engraved surface 104 x 139mm (approx. 4-1/8” x 5-1/2”). In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 40430 – or simply click on the button

[London : Smith, Elder & Co., 1836]. A handsome antique print – the tidal island of Mont Saint-Michel – a view from the landward. Engraved by James Carter (1798-1855) from an original study by the fine marine painter Clarkson Stanfield R.A. Originally produced for Stanfield’s “Coast Scenery. A Series of Views in the British Channel” (London : 1836).e
Steel line engraving on paper. Engraved surface 103 x 141mm (approx. 4” x 5-1/2”). In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 40431 – or simply click on the button