MODERN FICTION LTD. – BRITISH PULP FICTION AT
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London : Modern Fiction, [1946]. First edition. Simple but handsome farmworker led astray by forward hussies – well written and in places almost erotic, which is more than can be said for most of the Modern Fiction output. Buxton was the author of “Broken Liebestraum” (1944), “No Gentle Lady” (1949), etc.
Crown 8vo (19cm). (64)pp. Original pictorial stapled wrappers – combative and diaphanous woman in a design by H. W. Perl; rather worn, torn and frayed; cup mark on upper wrapper, tape repair to lower; staples rusting; some internal tears to gutter; an indifferent copy of a scarce title. The British Library has what is apparently a later edition with more pages, but no copies of this edition have been located in any major library worldwide.

£25

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London : Modern Fiction (London), [1953]. First edition. The first of the “Spike Gordon” series, believed to have been written by John Russell Fearn. The cover tag-line is “Wildcat Women and Dope”, which sums it up pretty adequately.
Crown 8vo (19cm). 126,[ii]pp. Original pictorial stapled wrappers – redhead droops near syringe and bottle; some minor wear and light creasing; a few slight marks; some touching up over small cosmetic patches to upper cover; mild tanning of text, but overall a very good copy. Only the British Library copy located in all the major libraries worldwide.

SOLD

London : Modern Fiction (London), [1950]. First edition. Bullets, business and be-pop – better dead than dope-crazed – the “Griff” byline was first used by Ernest McKeag (1896-1974) in 1948, but became the most successful of the Modern Fiction pulp brand-names under various later authors. Lightning pace, crisp dialogue, casual violence, and seedy and salacious faux American settings are the common denominators. By 1950 most of the “Griff” titles, of which this is perhaps the most celebrated, were being written by the journalist, compiler of reference works and occasional Dickens scholar, Frank Dubrez Fawcett (1891-1968) and this is almost certainly his work.
Crown 8vo (19cm). 112pp. Original pictorial stapled wrappers – redhead takes an injection in her thigh from corrupt brunette – a pair of man’s shoes suggestively by the couch; mild wear to tips; repaired splits to lower joint and spine; small initial on upper cover; crease to lower wrapper; staples a touch rusted; text a little tanned, but the wrappers and artwork unusually clean and fresh. Only the British Library copy located in major libraries worldwide.

SOLD

London : Modern Fiction (London), [1953]. First edition. The terrible death of a beautiful woman – “gangsterdom and vice, against the pulsating background of New York’s seamier streets”.
Crown 8vo (19cm). 126,[ii]pp. Original pictorial stapled wrappers – shootout over a telephonist; spine a little rubbed and slightly worn; mild tanning to text, but overall a good and clean copy. Only the British Library copy located in all major libraries worldwide.

£25

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London : Modern Fiction (London), [1953]. First edition. “Master-spies, gunhawks, mobsters, hoods, all the unsavoury characters of the underworld ... A young scientist is kidnapped. He carries badly wanted secrets in his brain ... the secrets of that most despicable of all forms of death ... germ warfare!”. Mark Freeman of the FBI is on the case. The “Griff” house name here being used by David Boyce.
Crown 8vo (18cm). 127,[i]pp. Original pictorial stapled wrappers – redhead dragged into gunfight; some light creasing and marking; mild spotting of edges; inked “X” on title-page; occasional light browning and discolouration of text, but overall very good copy of an elusive and fragile title. Only the British Library copy located in any of the major libraries worldwide.

£50

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London : Modern Fiction (London), [1952]. First edition. “Abruptly he stopped dictating. His dark eyes were suddenly amused. He said: “Will you have dinner with me tonight, Jennifer?” She nearly dropped her pencil and pad in amazement. Even her chin sagged, and then she snapped her mouth shut as she quickly recovered ...”.
Crown 8vo (19cm). 127,[i]pp. Original pictorial stapled wrappers – brunette and redhead come to grips – a design by Len Potts; chipped at foot; a few nicks and short tears; some chipping, creasing and wear; one leaf poorly trimmed; a reasonable copy of a scarce and fragile item. Just a single copy (British Library) located in major libraries worldwide.

SOLD

London : Modern Fiction (London), [ca.1952]. First edition. A novel set in the ruins of post-war Hamburg, as Ilsa decides to smoke her last cigarette – and wants a man to light it.
Crown 8vo (18cm). 96pp. Original pictorial stapled wrappers – young woman in green examines a puppet on her knee – a design, probably by H. W. Perl, previously used on an earlier Modern Fiction title (“Lost Love” by Henri Duprès) and here crudely adapted; wrappers used, worn, scuffed, creased and a little marked, with some chipping; some minor internal browning and discolouration, but a serviceable copy of an uncommon title. Just a single copy (British Library) located in major libraries worldwide.

£25

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London : Modern Fiction (London), [1951]. First edition. Diane repents of her hasty marriage in a wartime suburb – the chapters tell the tale: loveless marriage, on the verge, marriageless love, bitter parting, out of her past, unwilling wife, silken sin, the goad of loneliness, the way of transgression, conquest, gathering clouds, betrayed, the choice – aftermath. “Translated from the French” claims the cover – a statement even less accurate than the mis-spelling of McKeag’s nom-de-plume as Rene Larouche on the title-page.
Crown 8vo (19cm). 136pp. Original pictorial stapled wrappers in a stylish design by the reliable John Pollack (1918-1985) – woman vamping a car-driver in a stock French setting; some wear to extremities; minor creasing and marking; price faintly over-stamped on upper wrapper; a few internal nicks, creases and a chip; one leaf a little proud, but overall a not unappealing copy. Only the British Library copy located in any of the major UK libraries.

SOLD

London : Modern Fiction (London), [1951]. First edition. Small, pale, blonde – Joyce Morton is thrown out of her Manchester family home by her step-mother – heads to London to work as a dance-hostess.
Crown 8vo (19cm). 128pp. Original pictorial stapled wrappers – blonde in undress on cushions by Ray Theobald; light wear; some creases and a few short tears; occasional internal spotting and tanning, but a better than average copy. Just a single copy (British Library) located in the world’s major libraries.

£40

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London : Modern Fiction (London), [ca.1954]. First edition. Provincial innkeeper raises a beautiful and headstrong daughter – an English painter comes to stay.
Crown 8vo (19cm). 126,[ii]pp. Original pictorial stapled wrappers in a stylish design by “F. T.”; some creasing and minor chipping; a few slight marks; staples slightly rusted; text lightly tanned, but a good copy. Just a single copy (British Library) located in major libraries worldwide.

£50

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London : Modern Fiction, [ca.1942]. [Second edition]. Ian Desbro heads off to America to make his fortune – he can’t see it, but sophisticated Maud Lefroy doesn’t love him, while simple Nora Lorrimer does. A title originally published by the Federation Press in the mid-1920s, and later in about 1946 by the Lockers, but here with a distinctly passionless H. W. Perl cover in an unrecorded wartime edition from Edwin and Irene Turvey at their 1941-1943 North View Parade address in North London.
Crown 8vo (19cm). [96]pp. Original pictorial stapled wrappers – blonde unimpressed by a man’s attentions in a design by H. W. Perl; an indifferent copy – worn, creased and chipped; lacking over an inch (3.5cm) at foot of spine; upper staple rusted; pencilled ownership inscriptions of a Mrs Pike; text subject to intermittent pale yellow staining and creased in places, but a serviceable copy of an extremely rare book. No copy of any edition located in any major library worldwide.

£30

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London : Modern Fiction, [ca.1943]. First edition : the variant with the plain lower wrapper. The United Ladies’ Club of Chicago – Dynamite Doll, Slappy Sal (not to mention her husband Jelly the Fish), Velvet Vi, Reno Doreena – but Anna Toplitski craves the “sharp, puncturing kiss” of the hypodermic syringe. It has become apparent from the details of the May 1949 “passing off” High Court hearing before Mr Justice Romer, in which Fawcett and his publisher, Edwin Turvey, sued each other over the rights in the “Ben Sarto” name, that many of the Sarto titles were first published considerably earlier than has previously been supposed. Evidence produced at the trial over the surrender of rights in reprints suggests that the present title must have been in print prior at some time prior to the summer of 1944.
Crown 8vo (19cm). 128pp. Original pictorial stapled wrappers – a typical H. W. Perl design of a blonde in clinging green; some very minor wear and creasing; a couple of short tears; the predominantly white wrappers lightly marked, with some faint splashing to lower wrapper; staples a little rusted, but overall a very good copy of a fragile production.

£50

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London : Modern Fiction, [ca.1943]. First edition : the variant with the plain lower wrapper. The United Ladies’ Club of Chicago – Dynamite Doll, Slappy Sal (not to mention her husband Jelly the Fish), Velvet Vi, Reno Doreena – but Anna Toplitski craves the “sharp, puncturing kiss” of the hypodermic syringe. It has become apparent from the details of the May 1949 “passing off” High Court hearing before Mr Justice Romer, in which Fawcett and his publisher, Edwin Turvey, sued each other over the rights in the “Ben Sarto” name, that many of the Sarto titles were first published considerably earlier than has previously been supposed. Evidence produced at the trial over the surrender of rights in reprints suggests that the present title must have been in print prior at some time prior to the summer of 1944.
Crown 8vo (19cm). 128pp. Original pictorial stapled wrappers – a typical H. W. Perl design of a blonde in clinging green; a little worn, marked, and slightly creased; a couple of short tears; the predominantly white wrappers a little soiled; staples rusting; title-page creased, but a reasonable copy of a fragile production.

£40

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London : Modern Fiction, [ca.1945]. First edition. “Corner of Gamm-street, Bowery. Dusk. December day; snow atop distant skyscrapers; awful squelcy slush underfoot; overhead railway smashing flashes of electricity from ice-hard rails. Everything around furtive, glum, anti-law, on account of the cold douche of Prohibition”.
Crown 8vo (19cm). (128)pp. Original pictorial stapled wrappers – a design by H. W. Perl; wrappers a little worn, slightly creased and a little frayed; acid-free tape repair at head; text a little spotted, mainly to prelims and edges; a reasonable copy of a difficult title. Just a single copy (British Library) located in major libraries worldwide.

£50

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London : Modern Fiction, [1947]. First edition. An early title in the Miss Otis series – the “ritzy racketeer”. One of the most memorable characters in all the pulp fiction of the period. “An experienced dame, you would say, looking at Miss Otis in her sun parlor; a dame who had got ‘it’ in overweight quantities”.
Crown 8vo (19cm). 128pp. Original pictorial stapled wrappers – Miss Otis in a genial and languid pose by H. W. Perl; some very minor wear and faint marking to the predominantly white wrappers; slight creasing to lower wrapper, but overall a very good copy of a scarce title. Just two copies traced in major libraries worldwide (Bodleian and British Library).

£75

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London : Modern Fiction, [1947]. First edition. Nice young couple up against racketeers in the New York garment trade.
Crown 8vo (19cm). 126,[ii]pp. Original pictorial stapled wrappers; some minor wear; a few short nicks and tears to wrappers; staples a little rusted, but still overall a very good and clean copy. Just a single copy (British Library) located in major libraries worldwide.

£50

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London : Modern Fiction, [1947?]. First edition. Pinday Gotch, con-man, salesman, and tracker-down of derelict goods, is brought in to find the white slavers behind the Central Troupe Training Academy on 23rd Avenue. It has become apparent from the details of the May 1949 “passing off” High Court hearing before Mr Justice Romer, in which Fawcett and his publisher, Edwin Turvey, sued each other over the rights in the “Ben Sarto” name, that many of the Sarto titles were first published several years earlier than has previously been supposed. The manuscript of the present title was produced in court to support Turvey’s claim that he had himself made considerable alterations to Fawcett’s text. The title given on the cover is “Pinday and the White Slaver” (as is the running title on some of the text pages), the title under which the book was later reissued with a quite different cover design.
Crown 8vo (19cm). 128pp. Original pictorial stapled wrappers; lightly worn and slightly frayed; a little marked and creased; a good and serviceable copy of a scarce title. No copy of this edition (and only the British Library copy of the later edition) located in any major library worldwide.

£75

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London : Modern Fiction, [1948]. First edition. Man returns to Idaho from the mountains of Chile to find his sweet young wife has killed herself having become a dope addict: an exposé of the American morphine, heroin and cocaine rackets. “Then there was Jacqueline; tall, slant-eyed, raven-haired, fiery, dynamic; packing a flashlook that would burn up almost any guy with desire. They called her ‘The Duchess of Dope’ ...”. One of the most successful of all the Modern Fiction titles.
Crown 8vo (19cm). (128)pp. Original pictorial stapled wrappers – a wide-eyed, leggy and blood-stained Jacqueline in a design by H. W. Perl; some wear; short tears to upper wrapper; lower corner chewed; a few minor marks, but a good copy of a difficult title. Only the British Library copy located in all the major UK libraries.

SOLD

London : Modern Fiction, [1947]. First edition. A murder in the Otis Restaurant – a revenge killing by a strange young man.
Crown 8vo (18cm). (128)pp. Original pictorial stapled wrappers – a typical H. W. Perl design; some minor wear and creasing; a few slight marks; staples rusting; text faintly tanned, but overall a very good copy of a scarce and fragile item. Just a single copy (British Library) located in major libraries worldwide.

£75

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London : Modern Fiction, [1947]. First edition. A murder in the Otis Restaurant – a revenge killing by a strange young man.
Crown 8vo (18cm). (128)pp. Original pictorial stapled wrappers – a typical H. W. Perl design; some minor wear and creasing; lower wrapper lightly marked; text slightly tanned, but a very good copy. Stamps of Simonite’s Book Exchange Service of Cannock Market on first few leaves and (very faintly) on upper wrapper. Just a single copy (British Library) located in major libraries worldwide.

£75

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London : Modern Fiction, [1948]. First edition. Playing with his own name, Fawcett gives us cheapstore dressmaker Frank Driffield Tawfitt, who has taken a shine to the mysterious and alluring new partner in Manhattan’s Paradise Restaurant – Miss Otis has gone incognito.
Crown 8vo (19cm). 124,[iv]pp. Original pictorial stapled wrappers – woman, gun, allure – a design by H. W. Perl; just a touch of wear to tips; a couple of tiny creases; staples rusted and discoloured, but otherwise a very good and clean copy. Just a single copy (British Library) located in major libraries worldwide.

£75

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London : Modern Fiction, [1952]. First edition. “As usual with Sarto books, it is the result of personal observation, plus access to police records and secret news files ... an innocent young girl from the country finds herself caught up in the toils of a Manhattan exploiter – with tragic results. One big, breath-catching thrill from first word to last, but shot with sadness and regret”.
Crown 8vo (19cm). 127,[i]pp. Original pictorial stapled wrappers – a design by Len Potts; slight wear at tips; creases, a short tear and some slight discolouration to rear wrapper; text a little tanned, but still overall a very good copy. Just two copies (British Library and Monash) located in major libraries worldwide.

£100

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London : Modern Fiction (London), [1954]. First edition. “Meet again that crashing, smashing heel, Kinsey Target, relating his own paralysing experiences in the shocking style that has made him famous” – we also meet Peach Dolfin, Pingpong Rizetti, and other surprising characters.
Crown 8vo (19cm). 110,[ii]pp. Original pictorial stapled wrappers – brunette in red is offered a drink; some minor wear and short nicks; text a little tanned, but overall a very good copy of an uncommon late title from Modern Fiction. Only the British Library copy located in any of the major UK libraries.

SOLD

London : Modern Fiction (London), [1954]. First edition. One of at least ten titles put out under Modern Fiction’s “Hank Spencer” house-name towards the end of their publishing career. Set in Chicago as tough, honest, guy seeks justice and revenge – master criminal, mysterious dame – “something you'll have to read for yourself. It got too exciting for me!” says the cover.
Crown 8vo (19cm). 126,[ii]pp. Original pictorial stapled wrappers – blonde shocked by man with gun, a design by Kris; staples slightly rusted; a few minor marks, but overall a very good copy. Only a single copy (British Library) located in all the major UK libraries.

SOLD