ASH RARE BOOKS
HIGHLIGHTS FROM ASH RARE BOOKS
HIGHLIGHTS FROM ASH RARE BOOKS
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AINSWORTH, William Harrison, 1805-1882 : SAINT JAMES’S; OR, THE COURT OF QUEEN ANNE. AN HISTORICAL ROMANCE.
London : John Mortimer; Parry, Blenkarn & Co., 1844. First edition. Ainsworth at the height of his fame with a tale of political intrigue and power at the court of Queen Anne – the Duke and Duchess of Marlborough; Robert Harley, first Earl of Oxford; Henry St. John, first Viscount Bolingbroke, etc. “Many would have backed Ainsworth’s talent against Dickens’s in 1840” (John Sutherland).
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CHURCHILL, Winston (Sir Winston Leonard Spencer), 1874-1965 : LONDON TO LADYSMITH VIA PRETORIA.
London : Longmans, Green & Co., 1900. First edition. Churchill’s personal account of the early months of the Boer War and his extraordinary adventures in South Africa. A particularly interesting copy in having been annotated in pencil in numerous places by an eye-witness to a number of the military actions – at Spion Kop, etc. At one point the anonymous annotator identifies himself as the field officer of the East Surreys who pointed out to Churchill “an expansive bullet of a particularly cruel pattern” being used by the Boers. For the most part the officer accepts Churchill’s account – “Very well described. I watched all this”, etc. – adding and identifying a name here and there, but elsewhere he bluntly corrects with a “Wrong” and other tokens of disagreement.
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CONRAD, Joseph, 1857-1924 : UNDER WESTERN EYES.
London : Methuen & Co., (1911). First edition. “The man who says he has no illusions has at least that one” – Conrad with his classic of terrorism, set variously in St. Petersburg and Geneva and published 5th October 1911. “Any hesitation seems to lie, not in over-estimating, but in doing justice to the rare truth and beauty of Mr. Conrad’s latest book. No Englishman could have written it” (The Sketch, 25th October 1911).
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[COOPER, James Fenimore, 1789-1851] : THE WATER WITCH; OR, THE SKIMMER OF THE SEAS.
London : Henry Colburn and Richard Bentley, 1830. First British edition. Alida de Barbérie is abducted by pirates – the brigantine “Water Witch” is pursued by Captain Ludlow. Set in and around the still half-Dutch New York of the early eighteenth century – the press was unanimous: “the mystery of the story, and the life and spirit of his characters, have, indeed, seldom been equalled, and is nowhere surpassed” (Morning Chronicle) – “Cooper, the American novelist, has no living superior” (The Scotsman). Precedes the American edition by two months, although a slightly earlier edition published in Dresden is known in a handful of copies.
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DICKENS, Charles (Charles John Huffam), 1812-1870 : MASTER HUMPHREY’S CLOCK.
London : Chapman & Hall, 1840-1841. First edition, in book form, bound from the original parts, of both “The Old Curiosity Shop” and “Barnaby Rudge” – “Master Humphrey” was never reprinted, and even unsold copies were cannibalised (within weeks of issue) to make separate books of the two titles we know today. “I am conscious that my pen winces a little even while I write these words. But it was done, and wisely done; and ‘Master Humphrey’s Clock’, as originally constructed, became one of the lost books of the earth, – which, we all know, are far more precious than any that can be read for love or money” (Charles Dickens, in 1848). A specimen wrapper from both the weekly and monthly issue of the parts is preserved at the rear of each volume.
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[DISRAELI, Benjamin, First Earl of Beaconsfield, 1804-1881] : THE YOUNG DUKE.
London : Henry Colburn and Richard Bentley, 1831. First edition. Disraeli’s intriguing early novel of high society – “all rings, ringlets, and a little rouge” – a wastrel redeemed by the love of a good woman, etc., but also the novel in which we first see the evolution of Disraeli’s politics and what was soon to become his particular brand of one-nation conservatism.
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[DOUGLAS, Norman (George Norman), 1868-1952] – “NORMYX” : UNPROFESSIONAL TALES.
London : T. Fisher Unwin, 1901. First edition. Beyond the early pamphlets and offprints, Douglas’s first book and his first venture into fiction. He later claimed that just eight copies were sold – a slight exaggeration, but close on 600 copies of the original 750 were still unsold in 1903 and almost certainly pulped. Contains fifteen short stories (including “Elfwater”, “Nocturne”, “The Devil’s Oak”, and “Belladonna”) as well as the fantasy femme fatale novella “Nerinda”, most of the former written in collaboration with his then wife, Elsa Fitzgibbon (1876-1916).
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“ELIOT, George” – [EVANS, Marian, 1819-1880] : NOVELS OF GEORGE ELIOT.
Edinburgh & London : William Blackwood & Sons, [ca.1890]. New edition. A handsome standard set of the novels – “Adam Bede”, “The Mill on the Floss”, “Silas Marner”, “The Lifted Veil”, “Brother Jacob”, “Scenes of Clerical Life”, “Felix Holt”, “Romola”, “Middlemarch” and “Daniel Deronda”.
FREEMAN, R. Austin (Richard Austin), 1862-1943 : JOHN THORNDYKE’S CASES. RELATED BY CHRISTOPHER JERVIS, M.D. AND EDITED BY R. AUSTIN FREEMAN ...
London : Chatto & Windus, 1909. First edition. Dr Thorndyke, first of the modern forensic detectives, here appearing in eight stories, including “The Anthropologist at Large” and “The Blue Sequin”. Introduced in Freeman’s preface as “a somewhat new departure in this class of literature” — as indeed it was, with illustrations to back up the forensics. A Haycraft-Queen “cornerstone” of detective fiction.
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[GREIG, John] : THE ANTIQUARIAN ITINERARY, COMPRISING SPECIMENS OF ARCHITECTURE, MONASTIC, CASTELLATED, AND DOMESTIC; WITH OTHER VESTIGES OF ANTIQUITY IN GREAT BRITAIN. ACCOMPANIED WITH DESCRIPTIONS.
London : for the Proprietors, by William Clarke; J. Murray; S. Bagster [and others], 1815-1818. First edition. A charming compilation, originally published in monthly parts, bringing images and descriptions of out of the way architecture and antiquities throughout England, Wales and Scotland. The images, many of them the earliest known of the various towns, buildings and architectural features, were supplied by an array of local and travelling artists, including principally John Hassell, George Arnald, Frederick Wilton Litchfield Stockdale, Luke Clennell and William Deeble – the plates engraved by Greig himself, some from his own designs, as well as Thomas Higham, Edward John Roberts, William Wallis, John Charles Varrall, Deeble himself and numerous others. Although generally ascribed to Greig’s former partner, the artist and engraver James Sargant Storer, Storer was by now working with his son on other projects – his name appears nowhere in the credits and the work would appear undoubtedly to be Greig’s, he himself engraving around one third of the plates. The engraved plates are supplemented by hundreds of anonymous but exquisitely worked head and tailpieces giving further detail.
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HARDY, Thomas, 1840-1928 : TWO ON A TOWER. A ROMANCE.
London : Sampson Low, Marston, Searle & Rivington, 1882. First edition : one of 1,000 copies of the first issue text, before the corrections made for the virtually identical second impression. One of Hardy’s most original, interesting and controversial novels – a Wessex tale of star-crossed lovers in which he aimed “to make science, not the mere padding of a romance, but the actual vehicle of romance”.
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HARDY, Thomas, 1840-1928 : THE WOODLANDERS.
London : Macmillan & Co., 1887. First edition : one of just 860 copies in the primary binding. The story of Grace Melbury, the faithful Giles Winterborne, and the faithless Edred Fitzpiers. Controversial for its time, but “his loveliest if not his finest book” (Sir Arthur Quiller-Couch) and “the most beautiful and most noble of Hardy’s novels” (William Lyon Phelps) – and indeed Hardy’s own favourite – “On taking up ‘The Woodlanders’ and reading it after many years, I like it as a story best of all”.
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HOUSEHOLD, Geoffrey (Geoffrey Edward West), 1900-1988 : ROGUE MALE.
London : Chatto & Windus, 1939. First edition. Household, “a discriminating hedonist, well versed in the pleasures of the table and the bed” as Michael Barber in ODNB has it, with his most famous and enduring novel – a laconic English sportsman sets out to bag “the biggest game on earth” – a Hitleresque dictator bent on the perversion of civilisation. Nominated at least once as “the best manhunt book in history”. Filmed as “Man Hunt” by Fritz Lang in 1941, with Walter Pidgeon, Joan Bennett, George Sanders, etc., and again by Clive Donner in 1976, with Peter O’Toole, John Standing, Alastair Sim, Harold Pinter, etc.
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HOWELL, James, 1594?-1666 : LONDINOPOLIS; AN HISTORICALL DISCOURSE OR PERLUSTRATION OF THE CITY OF LONDON, THE IMPERIAL CHAMBER, AND CHIEF EMPORIUM OF GREAT BRITAIN ...
London : by J. Streater, for Henry Twiford, George Sawbridge, Thomas Dring, and John Place, 1657. First edition. One of the earliest printed histories of London, second only to the early editions of Stow in terms of chronology. Compiled by the versatile and engaging Welsh author, royalist, politician and traveller, James Howell, after his release from a lengthy imprisonment at the time of the Interregnum. With accounts of St. Paul’s and the other ancient churches; the individual wards and precincts; the governance of the City; the walls, streets, gates and prisons; the Inns of Court; the twelve great livery companies; the company halls; the Tower, the Royal Exchange, the Guildhall and other prominent buildings; the Thames; London Bridge; the mayoralty; the city of Westminster and the Abbey; the Strand; Covent Garden; Lincoln’s Inn; Westminster Hall; Parliament, the Admiralty, etc.
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HUGHES, Ted (Edward James), 1930-1998 : THE HAWK IN THE RAIN.
London : Faber & Faber, (1957). First edition : [one of 2,000 copies]. His uncommon first book — a collection of forty poems, dedicated to Sylvia Plath, whom he had married the previous year. An attractive association copy — the review copy sent to fellow poet Roy Fuller (1912-1991), with the publishers’ review slip, Fuller’s pencilled notes on the reverse of the slip, and his inked ownership inscription. Fuller’s review appeared in the “London Magazine” in January 1958.
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HUGHES, Ted (Edward James), 1930-1998 : EARTH-MOON.
London : Rainbow Press, (1976). First edition : one of just twenty-six lettered copies (of 226) printed for the author’s personal use and signed by Ted Hughes. A collection of thirty-one poems, designed and printed on hand-made paper by Sebastian Carter at the Rampant Lions Press in Cambridge. The ten illustrations, printed in blue, are by Ted Hughes himself.
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JEFFERIES, Richard (John Richard), 1848-1887 : WORLD’S END. A STORY IN THREE BOOKS.
London : Tinsley Brothers, 1877. First edition : in the primary binding. “The leading idea in the tale is this: at Birmingham there is an immense property without an owner, and two years ago over 100 claimants from America and other countries held a family council there ... Something similar (under different names of localities etc.) forms the nucleus of my novel which shows how this vast property influences the lives of many people” (Jefferies in a letter of July 1876). His rare third novel, intended to appeal to lovers of the sensational in the style of Wilkie Collins — “He certainly succeeds in seizing on his reader’s attention from the first start, and his story, with all its faults, is never for a moment dull or trivial” (The Graphic, 25th August 1877).
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JEFFERIES, Richard (John Richard), 1848-1887 : BEVIS : THE STORY OF A BOY.
London : Sampson Low, Marston, Searle & Rivington, 1882. First edition : in the variant green (a) binding – Miller & Matthews (B15) make a persuasive case for regarding these slightly taller copies in green as having appeared earlier than the regular copies in brown. Jefferies and his haunting evocation of a Wiltshire childhood – “where there was magic in everything, blades of grass and stars, the sun and the stones upon the ground”.
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JONES, James (James Ramon), 1921-1977 : FROM HERE TO ETERNITY.
New York : Charles Scribner’s Sons, 1951. First edition. His first and most famous novel, based on his own army experiences in the months before the attack on Pearl Harbor, which he witnessed. An immediate success, winner of the National Book Award, always included in lists of the major novels of the twentieth century, and the basis of the memorable and multiple Oscar-winning 1953 film, with Burt Lancaster, Deborah Kerr, Montgomery Clift, Frank Sinatra, etc.
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LAMB, Charles, 1775-1834 : SPECIMENS OF ENGLISH DRAMATIC POETS, WHO LIVED ABOUT THE TIME OF SHAKESPEARE : WITH NOTES.
London : for Longman, Hurst, Rees & Orme, 1808. First edition. Lamb’s hugely influential rediscovery of the Elizabethans and Jacobeans, many of these specimens of their work culled from “plays which are to be found only in the British Museum and in some scarce private libraries” – Francis Beaumont, George Chapman, Thomas Decker, John Fletcher, John Ford, Fulke Greville, Ben Jonson, Thomas Kyd, Christopher Marlowe, John Marston, Philip Massinger, Thomas Middleton, George Peele, Cyril Tourneur, John Webster, and many more – “the most striking anthology perhaps ever made from English literature” (Edmund Blunden).
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LEE, Harper (Nelle Harper), 1926-2016 : TO KILL A MOCKINGBIRD.
London : William Heinemann, (1960). First British edition. The celebrated Pulitzer Prize winner, voted “best novel of the century” in a 1999 poll.
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LEWIS, C.S. (Clive Staples), 1898-1963 : THE LION, THE WITCH AND THE WARDROBE : A STORY FOR CHILDREN.
London : Geoffrey Bles, (1950). First edition. Illustrations and colour frontispiece by Pauline Baynes. The first and best-known of the Narnia chronicles.
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[MARRYAT, Frederick, 1792-1848] : MR. MIDSHIPMAN EASY.
London : Saunders & Otley, 1836. First edition. Marryat’s amiable and abidingly popular tale of the making of a seaman – although as one modern critic has it, “there’s something here to offend almost everyone”. Contemporary critics found it “a work of great power and surpassing beauty, sufficient of itself to have established his reputation as a man of genius” (London Courier, 19th December 1836).
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MILTON, John, 1608-1674 : THE POETICAL WORKS OF JOHN MILTON.
London : Macmillan & Co., 1877. A standard edition of the poetry, printed on india paper and published in Macmillan’s “Globe Edition” series. Bound in 1883 in a very handsome binding, with fore-edge painting, for the Cambridge scholar-bookseller Robert Bowes (1835-1919) as a gift for his wife Fanny Bowes (1831-1903) on her birthday in June of that year. Inscribed and initialled by Bowes with his wife’s name and the date — with a further later inscription in a different hand commemorating her death in 1903. With Bowes’ personal “Quod Vis Potes” bookplate bound in. Bowes was a nephew of the publisher Alexander Macmillan (1818-1896) and his partner in the Cambridge bookshop of “Macmillan & Bowes”, while his wife Fanny Bowes was Macmillan’s sister-in-law. Sold together with the companion edition of “Poetical Works of Walter Scott” (1878), bound to match and evidently part of the original gift.
For more on these bindings, see my Bookhunter on Safari blog-post of 5th June 2020.
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MITFORD, Mary Russell, 1787-1855 : OUR VILLAGE: SKETCHES OF RURAL CHARACTER AND SCENERY.
London : G. & W. B. Whittaker / Geo. B. Whittaker / Whittaker, Treacher & Co., 1824-1832. First edition. A complete first edition set of the five-volume series of her much-loved and most famous work – sharp, affectionate, precise and amused sketches of village life in Regency England – “Our landlord has a stirring wife, a hopeful son, and a daughter, the belle of the village; not so pretty as the fair nymph of the shoe-shop, and far less elegant, but ten times as fine; all curl-papers in the morning, like a porcupine, all curls in the afternoon, like a poodle, with more flounces than curl-papers, and more lovers than curls ...”. Walks in the Country, A Country Cricket-Match, A Christmas Party, Christmas Amusements, The Mole-Catcher, Children of the Village, The Cribbage Players, and so much more.
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MOTION, Andrew (Sir Andrew), 1952- : A LONG STORY.
Bath : Old School Press, 2001. First edition : one of twenty copies (of 230) reserved in sheets for binders and signed by both Andrew Motion and the illustrator, Simon Brett. Four extended poems from the then Poet Laureate, delicately hand-printed on Magnani paper, illustrated with evocative and atmospheric wood-engravings by Simon Brett.
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O’BRIEN, Edna (Josephine Edna), 1930- : [THE COUNTRY GIRLS TRILOGY].
London : Hutchinson & Co. (Publishers) / Jonathan Cape, (1960-1964). A first edition set of her scandalous trilogy – the separately published “The Country Girls” (1960) – Irish girls in black underwear, banned in Ireland, publicly burnt by her parish priest in Tuamgraney – “By turns beautiful and bawdy, funny and haunting ... often referred to as the quintessential tale of Irish girlhood, it is not the novel that broke the mould: it is the one that made it” (Eimear McBride); “The Lonely Girl” (1962) – filmed in 1964 as “The Girl With Green Eyes”, with Rita Tushingham, Lynn Redgrave, Peter Finch, etc. – and the darker concluding volume set in London, “Girls in Their Married Bliss” (1964).
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“PERRELLI, Nick” – [DAWSON, George Herbert, 1916-1980] : PRIVATE EYEFUL.
London : Milestone, (1953). First edition. “The missing negatives were important right enough – a photographic record of the archives the Crime Commission had prepared for their next strike at the underworld ... Perrelli at the peak of his ability to chill and to thrill”. Although the “Nick Perrelli” house-name was used by various authors, American copyright records note this title as the work of George H. Dawson.
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REYNOLDS, James, 1817-1876 – publisher : [COVER TITLE] DIAGRAMS OF GEOLOGY, HISTORY, AND PHYSICAL GEOGRAPHY.
London : James Reynolds, 1846-1850. An attractive assemblage of eighteen of the well-known series of educational cards published by James Reynolds of the Strand, contained within the original Reynolds folder. Ranging somewhat beyond the subjects noted on the cover, twelve of the cards were drawn and engraved by John Emslie (1813-1875) – and four – “Comparative Magnitudes of the Planets”, “Transparent Chart of the Heavens”, “Transparent Diagram of the Phases of the Moon”, and “Transparent Solar System”, are constructed with cut-outs and translucent paper so that when held to the light the image becomes brightly illuminated. The remaining cards (undated except where noted) comprise “The Sun and Solar Phenomena”; “Eclipses / The Theory of the Tides”; “The Theory of the Seasons”; “Comets and Aerolites”; “Geographical Diagram of the Earth Adapted for Illustrating its Movements” (with two hemispherical volvelles); “Popular Geology” (1849) and a “Geological Map of England” (1849); “Waterfalls” (1846) and a “Panoramic Plan of the Principal Rivers and Lakes”; “The Stream of History” (1850) in two cards, showing the rise and fall of empires, post and pre-Christianity; a “Comparative View of the Principal Buildings in the World” (1850); an ethnographic card of “The Principal Varieties of Mankind” (1850), and a card of “The Antediluvian World” (1849), with early representations and reconstructions of prehistoric birds and animals from fossil remains. All the cards have clearly written explanatory text.
SASSOON, Siegfried (Siegfried Loraine), 1886-1967 : [THE SHERSTON TRILOGY] MEMOIRS OF A FOX-HUNTING MAN / MEMOIRS OF AN INFANTRY OFFICER / SHERSTON’S PROGRESS.
London : Faber & Gwyer / Faber & Faber, (1928-1936). A first edition set of the three separately published volumes — “This is fiction, but with a difference — for the author, who wishes at present to remain anonymous, has himself lived the life of a hero” — the first two volumes were published anonymously, the first in an edition of just 1,500 copies. “The most satisfying piece of autobiography to be published in our time. All the equipment of a novelist is Sassoon’s. But what novel could equal in fascination this true story? The three books give him a place unique in English letters” (Howard Spring in the Evening Standard, 3rd September 1936).
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SHAKESPEARE, William, 1564-1616 : THE PICTORIAL EDITION OF THE WORKS OF SHAKSPERE.
London : Charles Knight & Co., [1838-1843]. The first Charles Knight edition. Comprises two volumes each of the comedies, histories and tragedies, as well as the poems, a volume of seventeen doubtful plays sometimes ascribed to Shakespeare (or Shakspere, as Knight insists on having it), together with commendatory verses, a history of critical opinion, material on Shakespeare in Germany, indexes, and a final volume of Knight’s full-length biography. All furnished with introductory notices, notes, variant readings, a glossary, music to the songs, etc. – and profusely illustrated throughout by the leading wood-engravers of the day from the designs of William Harvey (1796-1866) and others. Using the latest technology, Charles Knight (1791-1873) was in the vanguard of bringing the price of books within everyday reach and bringing education and edification in their train with the use of copious illustration – here insisting on illustrations of “the realities upon which the imagination of the poet must have rested ... the localities ... the portraits of the real personages ... accurate costume in all its rich variety”.
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STERNE, Laurence, 1713-1768 : THE WORKS OF LAURENCE STERNE IN TEN VOLUMES COMPLETE.
London : for J. Dodsley, J. Johnson, G. G. J. and J. Robinson, T. Cadell, J. Murray [and others], 1793. A handsome early collected edition of Sterne, comprising “Tristram Shandy”, “A Sentimental Journey”, three volumes of sermons and two of letters, as well as “A Fragment in the Manner of Rabelais” and “The History of a Watch-Coat”, together with his own memoir of his life and family.
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THOMAS, Dylan (Dylan Marlais), 1914-1953 : 18 POEMS.
London : The Sunday Referee and The Parton Bookshop, (1934). First edition : just 500 copies were printed, this copy being one of the second batch of 250 to be bound, with an additional inserted leaf bearing [February 1936] advertisements. The most remarkable debut in all twentieth-century English-language poetry – written before and published just weeks after Thomas’s twentieth birthday and already containing several of his greatest poems – “I See the Boys of Summer in Their Ruin”, “The Force that Through the Green Fuse Drives the Flower”, “Where Once the Waters of Your Face”, etc.
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TROLLOPE, Anthony, 1815-1882 : THE THREE CLERKS.
London : Richard Bentley, 1858 [but 1857]. First edition. “The best of the new novels. The author has left Barchester Cloisters and now finds his way into the civil service, upon which he has ideas as strong as those he has expressed about ecclesiastical endowments ... unusually good, and the character-painting ... excellent” (The Examiner, 19th December 1857). Trollope regarded it as “certainly the best novel I had as yet written” – notable also for what he regarded as his first successful love scene and the first appearance of Chaffanbrass.
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TROLLOPE, Anthony, 1815-1882 : ORLEY FARM.
London : Chapman & Hall, 1862. First edition, in book form, bound up from the original monthly instalments published between March 1861 and October 1862. Wills, codicils, property, family and love – “The plot of ‘Orley Farm’ is probably the best I have ever made ... I do not know that there is a dull page ... especially proud of its illustrations by Millais, which are the best I have seen in any novel in any language” (Trollope).
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TROLLOPE, Anthony, 1815-1882 : MARION FAY.
London : Chapman & Hall, 1882. First edition. An uncommon late Trollope title – love, marriage, politics and class divisions. Lady Frances Trafford falls for a post-office clerk, her brother, Lord Hampstead, pays court to Marion Fay, a humble Quaker.
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WALLIS, John, 1745?-1818 – publisher : WALLIS’S COMPLETE VOYAGE ROUND THE WORLD. A NEW GEOGRAPHICAL PASTIME.
London : J. Wallis, 1796. First edition : a reissue of the original edition, with the slip-case here dated 1802. An attractive and instructive table-game, comprising a double-hemisphere map of the world, marked out with the track of a round-the-world voyage – from Portsmouth back to London, via Iceland, Europe, Africa, Asia, the Americas, and then home via New Zealand, risking shipwreck and being removed from the game in the Straits of Magellan, to the South Atlantic and the Azores. One hundred stops are marked out for the players to move their markers at the dictates of a teetotum, and the letterpress rules appended below the map give brief geographical notes to educate and inform the young players – “32. Tripoly – a republic of Africa, on the Mediterranean Sea, famous for their piracies”. Engraved for Wallis by Stephen Cooke (1768-1854) of Fetter Lane.
“WATERS” – [RUSSELL, William, 1805?-1876?] : RECOLLECTIONS OF A DETECTIVE POLICE-OFFICER.
London : J. & C. Brown & Co., 1856. First edition. The very first appearance in fiction of a Scotland Yard detective – stories by “Waters”’ of the Yard, the narrator invented by journalist William Russell – the very first English detective stories. Originally published in Chambers’ Edinburgh Journal between 1849 and 1852, with some of the stories appearing in book form in New York in 1852, the present publication is the first appearance of all eleven, with a final twelfth tale not previously published.
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WOOLF, Virginia (Adeline Virginia), 1882-1941 : NIGHT AND DAY.
London : Duckworth & Co., (1919). First edition : [one of 2,000 copies printed]. Her second novel – an intriguing exploration of contemporary mores – love, marriage, happiness and success.
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YEATS, W.B. (William Butler), 1865-1939 : THE WINDING STAIR AND OTHER POEMS.
London : Macmillan & Co., 1933. First edition : [one of 2,000 copies]. A collection of over sixty poems, some of which had previously appeared in limited editions published in Dublin and New York. The collection includes some of Yeats’ finest work – “Blood and the Moon”, “Mad as the Mist and Snow”, “Byzantium”, “Coole Park, 1929”, “The Nineteenth Century and After”, “The Crazed Moon”, “Quarrel in Old Age”, “I Am of Ireland”, the “Crazy Jane” and “A Woman Young and Old” sequences, etc.
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