ASH RARE BOOKS - ANTIQUE PRINTS OF FRANCE

Antique print of Beauvais, France

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ANTIQUE PRINTS OF FRANCE

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ANTIQUE PRINT: CATHEDRAL OF NOTRE DAME, PARIS.

ALLOM, Thomas, 1804-1872 : CATHEDRAL OF NOTRE DAME, PARIS.

London : Fisher, Son & Co., [1847]. A fine antique print of the cathedral - Parisians at prayer in the vaulted interior. Engraved by John Henry le Keux (1812-1896) from an original study by the well-known Thomas Allom. Originally produced for the part-work series "France Illustrated" (London : 1845-1847).
Steel line engraving on paper. Engraved surface 142 x 189mm (approx. 5-5/8" x 7-3/8"). A few faint marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: EXTERIOR OF THE CATHEDRAL OF ST. GATIEN, - TOURS.

ALLOM, Thomas, 1804-1872 : EXTERIOR OF THE CATHEDRAL OF ST. GATIEN, - TOURS.

London : Fisher, Son & Co., [1847]. A fine antique print of the cathedral - the principal front with its magnificent sixteenth-century pinnacled towers - labourers lever blocks of stone in the foreground. Engraved by William Holmes Capone (1810-1881) from an original study by the well-known Thomas Allom. Originally produced for the part-work series "France Illustrated" (London : 1845-1847).
Steel line engraving on paper. Later hand colour. Engraved surface 202 x 138mm (approx. 8" x 5-3/8"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: [CLUSES] CLUSE, ON THE ARVE - SAVOY.

BARTLETT, William Henry, 1809-1854 : CLUSE [CLUSES], ON THE ARVE - SAVOY.

[London : George Virtue, 1834]. An attractive antique print - the ancient bridge over the Arve in the secluded valley. Engraved by Robert Wallis (1794-1878) from an original study by the much-travelled William Henry Bartlett. Originally produced for the part-work series "Switzerland Illustrated" (London : 1834-1836).
Steel line engraving on paper. Later hand colour. Engraved surface 132 x 173mm (approx. 5-1/4" x 6-3/4"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: THE SOURCE OF THE ARVEIRON, VALLEY OF CHAMOUNI.

BARTLETT, William Henry, 1809-1854 : THE SOURCE OF THE ARVEIRON, VALLEY OF CHAMOUNI.

[London : George Virtue, 1834]. A striking antique print - the source of the Aveyron in the Mer de Glace above Chamonix. Engraved by Robert Acon (1792-1880) from an original study by the celebrated William Henry Bartlett. Originally produced for the part-work series "Switzerland Illustrated" (London : 1834-1836).
Steel line engraving on paper. Engraved surface 131 x 182mm (approx. 5-1/8" x 7-1/8"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: AMIENS CATHEDRAL. SOUTH AISLE OF NAVE, LOOKING WEST.

BROWNE, Hablot Knight, 1815-1882 : AMIENS CATHEDRAL. SOUTH AISLE OF NAVE, LOOKING WEST.

London : Charles Tilt, 1836. A handsome antique print - the soaring interior of Amiens Cathedral. Engraved by William French (d.1898) from an original study by Hablot Knight Browne - better known as "Phiz", the illustrator of Dickens. Originally produced for Benjamin Winkles' part-work "French Cathedrals" series published 1836-1837.
Steel line engraving on paper. Engraved surface 186 x 117mm (approx. 7-3/8" x 4-5/8"). A few tiny marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: AMIENS CATHEDRAL, SOUTH EAST VIEW.

BROWNE, Hablot Knight, 1815-1882 : AMIENS CATHEDRAL, SOUTH EAST VIEW.

London : Charles Tilt, 1836. A fine antique print of the gothic masterpiece of Amiens cathedral - a hay-wagon passes in the foreground. Engraved by Benjamin Winkles (1805-1856) from an original study by Hablot Knight Browne - better known as "Phiz", the illustrator of Dickens. Originally produced for Winkles' part-work "French Cathedrals" series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 135 x 163mm (approx. 5-3/8" x 6-1/2"). Just a hint of dustiness to lower margin, but overall in very good state. A guaranteed genuine antique print.

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ANTIQUE PRINT: BEAUVAIS CATHEDRAL. WITH THE CHURCH OF ST. ETIENNE IN THE DISTANCE.

BROWNE, Hablot Knight, 1815-1882 & GARLAND, Robert, 1808-1863 : BEAUVAIS CATHEDRAL. WITH THE CHURCH OF ST. ETIENNE IN THE DISTANCE.

London : Charles Tilt, 1836. A fine antique print of the gothic cathedral - a view from the fields - a funeral procession in progress - sheep in the foreground. Engraved by Benjamin Winkles (1805-1856) from a sketch by Robert Garland, worked up for publication by Hablot Knight Browne - better known as "Phiz", the illustrator of Dickens. Originally produced for Winkles' part-work "French Cathedrals" series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 142 x 169mm (approx. 5-5/8" x 6-5/8"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: AMIENS CATHEDRAL. SOUTH TRANSEPT FROM THE NORTH.

GARLAND, Robert, 1808-1863 : AMIENS CATHEDRAL. SOUTH TRANSEPT FROM THE NORTH.

London : Charles Tilt, 1836. A charming antique print - the soaring interior of Amiens cathedral. Engraved by William French (d.1898) from an original study by Robert Garland. Originally produced for Benjamin Winkles' part-work "French Cathedrals" series published 1836-1837.
Steel line engraving on paper. Engraved surface 185 x 115mm (approx. 7-1/4" x 4-1/2"). A few tiny marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: BEAUVAIS CATHEDRAL. NORTHERN ENTRANCE.

GARLAND, Robert, 1808-1863 : BEAUVAIS CATHEDRAL. NORTHERN ENTRANCE.

London : Charles Tilt, 1836. A striking antique print of the great gothic cathedral - the richly ornate north door. Engraved by Benjamin Winkles (1805-1856) from an original study by the architect and draughtsman Robert Garland. Originally produced for Winkles' part-work "French Cathedrals" series published 1836-1837.
Steel line engraving on paper. Engraved surface 186 x 115mm (approx. 7-1/4" x 4-1/2"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: BEAUVAIS CATHEDRAL. SOUTH TRANSEPT.

GARLAND, Robert, 1808-1863 : BEAUVAIS CATHEDRAL. SOUTH TRANSEPT.

London : Charles Tilt, 1836. A handsome antique print of the great gothic cathedral - the south transept with its rose window. Engraved by Benjamin Winkles (1805-1856) from an original study by the architect and draughtsman Robert Garland. Originally produced for Winkles' part-work "French Cathedrals" series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 187 x 113mm (approx. 7-3/8" x 4-1/2"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: BEAUVAIS CATHEDRAL. VIEW FROM THE NORTH TRANSEPT.

GARLAND, Robert, 1808-1863 : BEAUVAIS CATHEDRAL. VIEW FROM THE NORTH TRANSEPT.

London : Charles Tilt, 1836. A pleasing antique print - the rich interior of Beauvais cathedral. Engraved by William Woolnoth (1780-1837) from an original study by Robert Garland. Originally produced for Benjamin Winkles' part-work "French Cathedrals" series published 1836-1837.
Steel line engraving on paper. Engraved surface 183 x 115mm (approx. 7-1/4" x 4-1/2"). A few tiny marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: CHARTRES CATHEDRAL. THE WEST FRONT.

GARLAND, Robert, 1808-1863 : CHARTRES CATHEDRAL. THE WEST FRONT.

London : Charles Tilt, 1836. A pleasant antique print of the cathedral - the great west front with its varaint spires. Engraved by Benjamin Winkles (1805-1856) from an original study by the architect and draughtsman Robert Garland. Originally produced for Winkles' part-work "French Cathedrals" series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 188 x 111mm (approx. 7-3/8" x 4-3/8"). Tiny stab-mark at foot, a couple of minor marks to lower margin, but overall in very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: EVREUX CATHEDRAL. NORTH EAST VIEW.

GARLAND, Robert, 1808-1863 : EVREUX CATHEDRAL. NORTH EAST VIEW.

London : Charles Tilt, 1836. A handsome antique print of Evreux cathedral - visitors admire the tracery and pinnacles. Engraved by Benjamin Winkles (1805-1856) from an original study by the architect and draughtsman Robert Garland. Originally produced for Winkles' part-work "French Cathedrals" series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 145 x 165mm (approx. 5-3/4" x 6-1/2"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: EVREUX CATHEDRAL. NORTH WEST VIEW.

GARLAND, Robert, 1808-1863 : EVREUX CATHEDRAL. NORTH WEST VIEW.

London : Charles Tilt, 1836. A fine antique print of the gothic cathedral - a view looking up to the towers. Engraved by Benjamin Winkles (1805-1856) from a study by the architect and draughtsman Robert Garland. Originally produced for Winkles' partwork "French Cathedrals" series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 185 x 115mm (approx. 7-1/4" x 4-1/2"). A couple of tiny spots to blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: ROUEN CATHEDRAL. NORTH WEST VIEW FROM THE CLOISTER YARD.

GARLAND, Robert, 1808-1863 : ROUEN CATHEDRAL. NORTH WEST VIEW FROM THE CLOISTER YARD.

London : Charles Tilt, 1836. An attractive antique print of the cathedral - a view up to the Tour de Beurre from the courtyard. Engraved by Benjamin Winkles (1805-1856) from an original study by the architect and draughtsman Robert Garland. Originally produced for Winkles' part-work "French Cathedrals" series published 1836-1837.
Steel line engraving on paper. Later hand colour. Engraved surface 182 x 113mm (approx. 7-1/8" x 4-1/2"). One small wrinkle but overall in very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: BARRIERE DE PASSY [PARIS].

NASH, Joseph, 1809-1878 : BARRIERE DE PASSY [PARIS].

[London : Jennings & Chaplin, 1831]. A handsome antique print - the imposing Barriere de Passy - a view from the river. Engraved by William Watkins (fl.1828-1881) from an original study by the young Joseph Nash. Originally produced for Augustus Pugin's part-work "Paris and its Environs" (London : 1829-1831).
Steel line engraving on paper. Later hand colour. Engraved surface 92 x 141mm (approx. 3-5/8" x 5-1/2"). Tiny mark to right-hand blank margin, but overall in very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: BARRIERE ST. DENIS [PARIS].

NASH, Joseph, 1809-1878 : BARRIERE ST. DENIS [PARIS].

[London : Jennings & Chaplin, 1831]. A pleasant antique print - a carriage hastens towards the Barriere Saint-Denis. Engraved by William Taylor (fl.1825-1852) from an original study by the young Joseph Nash. Originally produced for Augustus Pugin's part-work "Paris and its Environs" (London : 1829-1831).
Steel line engraving on paper. Later hand colour. Engraved surface 90 x 142mm (approx. 3-1/2" x 5-5/8"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: FONTAINEBLEAU, COUR D'HONNEUR.

NASH, Joseph, 1809-1878 : FONTAINEBLEAU, COUR D'HONNEUR.

[London : Jennings & Chaplin, 1831]. A charming antique print - the courtyard of the royal chateau at Fontainebleau. Engraved by Benjamin Winkles (1805-1856) from an original study by the young Joseph Nash. Originally produced for Augustus Pugin's part-work "Paris and its Environs" (London : 1829-1831).
Steel line engraving on paper. Later hand colour. Engraved surface 92 x 141mm (approx. 3-5/8" x 5-5/8"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: PONT DE BOIS, CHOISI-LE-ROI [PARIS].

NASH, Joseph, 1809-1878 : PONT DE BOIS, CHOISI-LE-ROI [PARIS].

[London : Jennings & Chaplin, 1831]. A pleasant antique print - the wooden bridge on stone arches crossing the Seine at Choisy-le-Roi on the road to Versailles. Engraved by Fenner, Sears & Co. from an original study by the young Joseph Nash. Originally produced for Augustus Pugin's part-work "Paris and its Environs" (London : 1829-1831).
Steel line engraving on paper. Later hand colour. Engraved surface 98 x 141mm (approx. 3-7/8" x 5-5/8"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: L'EGLISE DE ST. EUSTACHE [PARIS].

SHAW, A. : L'EGLISE DE ST. EUSTACHE [PARIS].

[London : Jennings & Chaplin, 1831]. A most attractive antique print - the great cathedral of Saint Eustache - builders on scaffolding below - a market in full flow in the foreground. Engraved by John Havell (d.1841) from an original study by Shaw. Originally produced for Augustus Pugin's part-work "Paris and its Environs" (London : 1829-1831).
Steel line engraving on paper. Engraved surface 142 x 90mm (approx. 5-5/8" x 3-1/2"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: BOULOGNE, UPPER HARBOUR.

STANFIELD, Clarkson, 1793-1867 : BOULOGNE, UPPER HARBOUR.

[London : Smith, Elder & Co., 1836]. A pleasant antique print - a view of nineteenth-century Boulogne from the sea. Engraved by William Floyd (1807-1882) from an original study by the fine marine painter Clarkson Stanfield R.A. Originally produced for Stanfield's "Coast Scenery. A Series of Views in the British Channel" (London : 1836).
Steel line engraving on paper. Engraved surface 106 x 141mm (approx. 4-1/8" x 5-1/2"). A couple of tiny specks, but otherwise in very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: BOULOGNE, WRECK ON THE COAST.

STANFIELD, Clarkson, 1793-1867 : BOULOGNE, WRECK ON THE COAST.

[London : Smith, Elder & Co., 1836]. An interesting antique print - soldiers monitor a salvage operation. Engraved by James Carter (1798-1855) from an original study by the fine marine painter Clarkson Stanfield R.A. Originally produced for Stanfield's "Coast Scenery. A Series of Views in the British Channel" (London : 1836).
Steel line engraving on paper. Engraved surface 103 x 141mm (approx. 4" x 5-1/2"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: CAEN.

STANFIELD, Clarkson, 1793-1867 : CAEN.

London : Longman & Co., [1836]. An attractive antique print - the old heart of the town, buildings clustered by the Orne. Engraved by Robert Brandard (1805-1862) from an original study by the well-known Clarkson Stanfield R.A. Originally produced for "Heath's Picturesque Annual" in 1834, the present impression was produced for "Heath's Gallery of British Engravings" in 1836.
Steel line engraving on paper. Later hand colour. Engraved surface 110 x 135mm (approx. 4-3/8" x 5-3/8"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: DIEPPE.

STANFIELD, Clarkson, 1793-1867 : DIEPPE.

London : Longman & Co., [1836]. An attractive antique print - Dieppe from the sea - small craft in choppy seas in the foreground. Engraved by William Miller (1796-1882) from an original study by the well-known Clarkson Stanfield R.A. Originally produced for "Heath's Picturesque Annual" in 1834, the present impression was produced for "Heath's Gallery of British Engravings" in 1836.
Steel line engraving on paper. Later hand colour. Engraved surface 115 x 145mm (approx. 4-1/2" x 5-3/4"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: DIEPPE.

STANFIELD, Clarkson, 1793-1867 : DIEPPE.

[London : Smith, Elder & Co., 1836]. An attractive antique print - Dieppe from the shore below. Engraved by William Bernard Cooke (1778-1855) from an original study by the fine marine painter Clarkson Stanfield R.A. Originally produced for Stanfield's "Coast Scenery. A Series of Views in the British Channel" (London : 1836).
Steel line engraving on paper. Engraved surface 106 x 141mm (approx. 4-1/8" x 5-1/2"). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: ST. MALO.

STANFIELD, Clarkson, 1793-1867 : ST. MALO.

[London : Smith, Elder & Co., 1836]. An attractive antique print - a view of St. Malo from the quay. Engraved by James Charles Armytage (1802-1897) from an original study by the fine marine painter Clarkson Stanfield R.A. Originally produced for Stanfield's "Coast Scenery. A Series of Views in the British Channel" (London : 1836).
Steel line engraving on paper. Engraved surface 103 x 143mm (approx. 4" x 5-5/8"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: ST. MICHAEL'S MOUNT, NORMANDY. FROM THE WEST.

STANFIELD, Clarkson, 1793-1867 : ST. MICHAEL'S MOUNT, NORMANDY. FROM THE WEST.

[London : Smith, Elder & Co., 1836]. A pleasant antique print - the tidal island of Mont Saint-Michel - a view from the sea. Engraved by Alfred Robert Freebairn (1794-1846) from an original study by the fine marine painter Clarkson Stanfield R.A. Originally produced for Stanfield's "Coast Scenery. A Series of Views in the British Channel" (London : 1836).
Steel line engraving on paper. Engraved surface 104 x 139mm (approx. 4-1/8" x 5-1/2"). In very good and clean state. A guaranteed genuine antique print.

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ANTIQUE PRINT: ST. MICHAEL'S MOUNT, NORMANDY.

STANFIELD, Clarkson, 1793-1867 : ST. MICHAEL'S MOUNT, NORMANDY.

[London : Smith, Elder & Co., 1836]. A handsome antique print - the tidal island of Mont Saint-Michel - a view from the landward. Engraved by James Carter (1798-1855) from an original study by the fine marine painter Clarkson Stanfield R.A. Originally produced for Stanfield's "Coast Scenery. A Series of Views in the British Channel" (London : 1836).e
Steel line engraving on paper. Engraved surface 103 x 141mm (approx. 4" x 5-1/2"). In very good and clean state. A guaranteed genuine antique print.

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